Ghawdix has expressed its concern regarding the installation of artwork ‘Wiehed’ in the Xwejni area – an eight-legged headless bronze sculpture of a horse, the work of Austin Camilleri.

It argued that “the introduction of man-made structures would cause visual intrusion, disrupting the sense of tranquillity and natural harmony that visitors seek in such places.”

The NGO said that, “while it has been argued that this artistic addition would enhance the beauty of the Xwejni area – a point that is highly subjective – Ghawdix believes that the unique beauty of this area lies in its untouched state.”

The NGO pointed out that pristine areas like Xwejni are valued for their unspoiled landscapes and uninterrupted views. “The presence of artwork can significantly alter the visual appeal and natural aesthetics of this area.”

However on Tuesday, despite numerous objections, including from the Environmental Resources Authority and the Superintendence of Cultural Heritage, the application, which was applied for by the Ministry for Gozo, was approved 3-0 by the Planning Authority.

It was noted that the case officer is to impose a bank Guarantee to the value of 5000 euro to “ensure that works on site are strictly carried out in conformity with approved works method statement 72c. The BG is to be released upon confirmation of architect that works are carried out accordingly.”

There was also an additional condition:- In the eventuality that a decision is taken to remove the approved public structure from the said location, the location is to be immediately reinstated to its original state at the applicant’s expense.

Ghawdix refrained from commenting on the artistic merits of this project, saying that it “falls completely outside its scope,” however the NGO said it “feels obliged to raise objections regarding the chosen location.”

“At a time when there is widespread concern about excessive development in Gozo, with many longing for unobstructed vistas and dwindling open spaces free from human intervention, it is unfortunate that a largely untouched area, designated as a Natura2000 site, would feature a man-made structure,” Ghawdix said.

“This is definitely not to equate this project with construction development and the building of unsightly structures on the island,” the NGO said. “However, it does not diminish the fact that this intervention will impact the natural environment. It could dilute the authenticity and significance of the area, undermining its collective memory.”

It added that “the presence of similar installations in foreign countries does not justify Gozo following suit, particularly considering the different and severely limited context of Gozo’s countryside.”

Ghawdix stressed that “the proximity of a road to the chosen location does not automatically justify further additions. Arguing that the installation will not impinge on the character of the area due to the existence of the road is, in fact, acknowledging that it will contribute to visual intrusion.”

Ghawdix went on to say that it is also concerned about the long-term impact, especially in terms of increased foot traffic, if this area is promoted as a new Gozo landmark.

Ghawdix supported the concerns of the Environment and Resources Authority (ERA), which considers the proposed installation to be out of context and incompatible with the natural surroundings and pristine coastal landscape. Therefore, the proposed siting is objectionable from an environmental standpoint.

Ghawdix also endorsed the position of the Superintendence of Cultural Heritage (SCH), which highlights the impact of the artwork on the quality of a highly prominent location offering unobstructed views of a surrounding pristine landscape.

Ghawdix concluded by saying that it shared the concerns of the Planning Authority’s Design Advisory Committee (DAC), which, while appreciating the artistic qualities of the sculpture, believes that, given the pristine location, the site of the installation should be reconsidered.

Photos: Ghawdix

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