St Julians residence and open-air theatre given highest protection status

St Julians residence and open-air theatre given highest protection status
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The highest protection status afforded to a property has been given by the Planning Authority to a late 19th-century residential property which has a unique neoclassical theatre in its garden, and is now formally recognised as a Grade 1 building.

The property in Triq il-Karmnu, St Julians, close to the Lapsi Chapel is considered to be one of the earliest properties in the area. Of significant importance is a historic open-air theatre in the back garden of the property.

This late 19th-century building was the residence of the fourth Maltese president, Dr Vincent (Censu) Tabone, and his wife, Maria Tabone.

The Authority said that according to historical documentation, Teatru Melita as it was known was built around the year 1870 and is considered to be the oldest surviving theatre of any kind in the Tas- Sliema and St. Julians area.

The theatre started to be frequented by people who spent their summer holidays in the area, which was predominantly a summer resort among a few farmers and a small community of fishermen.St Julians residence and open-air theatre given highest protection statusApart from theatrical performances and lectures, cinema films were occasionally also screened there. The Authority pointed out that it is evident that this theatre played an important role in the growth of making theatre a popular platform of entertainment in Malta.

It also served as the birthplace of the most important theatre company of late nineteenth and early twentieth century Malta, the Kumpanija L’Indipendenza, made famous by Mikelang Borg.

The residential part of the property exhibits significant vernacular architectural elements and features that are synonymous with traditional Maltese townhouses and urban conservation areas.

The Planning Authority said that in consultation with the Superintendent of Cultural Heritage scheduled the property as Grade 1 in view of its architectural value as well as its historical, political and social significance associated with the theatre and the person of Dr Tabone.

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